The Club DJ: A Semiotic and Interactionist Analysis
Identifieur interne : 000668 ( Main/Exploration ); précédent : 000667; suivant : 000669The Club DJ: A Semiotic and Interactionist Analysis
Auteurs : J. I. Hans Bakker ; T. R. A. Theo BakkerSource :
- Symbolic Interaction [ 0195-6086 ] ; 2006-01.
Abstract
Drawing on observation and reflexive introspection, this article analyzes the practice of club DJing and reggae DJing in an attempt to shed light on the semiotic dynamics of music‐making. To understand the historical, semiotic, and interactionist significance of the musical beat in the social world of club reggae DJing, empirical and analytical attention is paid to changes in technology, in aesthetic conventions, and in the meanings of subcultural practices.
Url:
DOI: 10.1525/si.2006.29.1.71
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">Drawing on observation and reflexive introspection, this article analyzes the practice of club DJing and reggae DJing in an attempt to shed light on the semiotic dynamics of music‐making. To understand the historical, semiotic, and interactionist significance of the musical beat in the social world of club reggae DJing, empirical and analytical attention is paid to changes in technology, in aesthetic conventions, and in the meanings of subcultural practices.</div>
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